Entry tags:
- aloy [horizon zero dawn],
- annie westwind [original],
- asuka langley sohryu [evangelion],
- bellamy blake [the 100],
- clarke griffin [the 100],
- commander shepard [mass effect],
- elena gilbert [the vampire diaries],
- elliot alderson [mr robot],
- john murphy [the 100],
- lakshmi bai [the order: 1886],
- matrim cauthon [wheel of time],
- misato katsuragi [evangelion],
- noctis lucis caelum [ffxv],
- pidge gunderson (katie holt) [voltron],
- prompto argentum [ffxv],
- richard gecko [from dusk till dawn],
- sam wilson [mcu],
- seth gecko [from dusk till dawn],
- seviilia brightwing [warcraft],
- takashi "shiro" shirogane [voltron]
[ OPEN ] Hot Springs Episode!
CHARACTERS: EVERYONE
WHERE: The Second Flight
WHEN: DAY :022
SUMMARY: The Sauna!
WARNINGS: Nekkid times.
[ A few hours after the murder, she hasn't blown the ship up, and here they are. Another knock knock on everyone's brain: ]
( For those of you that are interested - I have secured us a place at the Sauna. Free for us to be use without interruption from outsiders.
You are to be clean before you come in. )
[ Maybe you're here because she bullied you, maybe you want to soak - maybe you're the poor bastard that is standing guard at the door. Either way, welcome to the Suana, have fun. Or don't. ]
WHERE: The Second Flight
WHEN: DAY :022
SUMMARY: The Sauna!
WARNINGS: Nekkid times.
[ A few hours after the murder, she hasn't blown the ship up, and here they are. Another knock knock on everyone's brain: ]
( For those of you that are interested - I have secured us a place at the Sauna. Free for us to be use without interruption from outsiders.
You are to be clean before you come in. )
[ Maybe you're here because she bullied you, maybe you want to soak - maybe you're the poor bastard that is standing guard at the door. Either way, welcome to the Suana, have fun. Or don't. ]

no subject
she doesn't require being asked twice. testing the waters of his inclination to talk to her had really just been a nicety, and on the opposite end of the spectrum, for the first time all evening clarke doesn't hesitate to step into the water, even if eventually shedding the towel leaves them naked and exposed; unresolved tension like raw nerve endings, a million thoughts bubbling over that haven't the eloquence to be voiced aloud. without any preamble, clarke steps into the water, keeping her towel firmly affixed until she's standing on the carved out ledges and the warm dark water is lapping somewhere around her knees. even if there's a somewhat awkward twist-and-turn-and-sit maneuver and her towel partially dips into the water in the name of preserving modesty, ultimately settling into the bath at a comfortable distance from bellamy feels like settling in at home.
but then the silence stretches. uncomfortably. and clarke cannot be immediately moved to break it with the latent fear of this conversation veering as spectacularly off the rails as the last. it should be different, right? just the two of them. but the cloud of confrontation hangs over her head like an unwelcome thunderstorm, and clarke chooses her words carefully. )
I'm not sure if I see the point of this. ( the saunas, a statement illustrated by idly flicking the surface of the water and watching the ripple effect carry across the length of the pool until it's swallowed. )
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Right now, Bellamy isn't inclined to make it easy for her. Even the flash of bare skin that has him hastily averting his gaze until she's settled doesn't knock that inclination out of him. That doesn't mean he's not aware that the sight isn't going to stick somewhere in the back of his mind, but Bellamy is trying not to let his thoughts circle back around just yet. ]
The pool, or the conversation we're about to have?
[ Addressing it is likely the best approach. Bellamy can't stall forever, but he still hasn't come up with a real answer for her.
But like Murphy, she has been sorely missed. Clarke settling in beside him is a balm against an ache Bellamy has been determinedly ignoring since he sought refuge in Lakshmi's tent. Being close to her is calming. It always has been, even in the face of the inherent awkwardness of their situation. ]
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clarke fixes him with a wounded sort of expression, visibly a little shaken with the ease he rips off the conversational bandaid. but if they're not tiptoeing around the discussion or easing into it like a warm sauna bath, then she can just bypass that rhetorical question and dig right into the meat of this reunion. despite the privacy they'd been afforded in the tents, it feels like she hasn't had a chance to look bellamy in the face in ages, or at least not a chance to really look at him and take it all in. tired eyes, sweat and steam hair bordering on too-long, a quiet sort of resignation. )
When I told you to leave, I meant for you to come back.
( it's funny, right? how one can say meant for and have it come out sounding like wanted; like it hurt when you didn't. clarke is on the fence as to whether or not she has any business being hurt by his absence, especially when it seemed like such a small thing compared to bellamy's pain over his sister, easily eclipsed by murphy's longing for emori, and insignificant when placed alongside lexa's struggle with her own mortality. but hurt was hurt, even when swallowed. )
no subject
This isn't completely about the tent. It's about walking out of the Polis throne room consumed in guilt and grief and alone. She'd told him to go then too. ]
Did you really think I could come back to sleep after what happened?
[ Neither he nor Lexa could have left well enough alone. Bellamy can't say he'd have stayed if that's what Clarke had asked of him, but he knows that being in close proximity would have sparked another argument.
But still, it's hard not to resent the repetition of history, of being sent away while Lexa remained. Bellamy's shoulders are tense as he looks away from her. He scrapes fingers through his hair, trying to tame sodden curls. ]
You have to know that I couldn't.
[ The urge to yield is strong. Bellamy has never liked seeing Clarke upset. He likes feeling it even less, but he holds himself in check for the moment. ]
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but if coming back to the tent after the night they'd had was the tipping point for bellamy, she'd respect that enough not to question it. clarke doesn't know if it would help smooth over the disconnect, or level the playing field to tell him she'd essentially sent lexa away too. maybe not as sharply or directly as she'd told bellamy to take a walk, but stubbornly hunched shoulders and a resigned shade of frustration in her tone had the other woman up and taking an evening stroll shortly after murphy and bellamy had left. she doesn't think it would help to say i'm on your side or recount her immediate and vehement defense of his reasons, his right to hope, and so she doesn't.
really the only thing she can say here is — )
I know. ( intimately familiar with the desire to run from hurt. i'd just hoped, a twang of yearning hanging in the air between them.
clarke's eyes are latched onto his face, open and uncertain. searching for a solution to their disagreement between his freckles and the grim set of his mouth. the urge to align themselves is strong, trying to tug her hands from the rock ledge serving as their seat. a strand or two of damp hair is still askew, and she wants to fix it for him. )
Hey. You know that Octavia's going to be fine, right? ( there is a weight to her name on clarke's tongue, needing to be said; deserving to be, after the vitriol simple descriptors such as her and your sister had been thrown around in the tent. that familiar blossom of homesickness is wilting in clarke's chest, but she can still summon the strength to smile sadly in an attempt to cut the tension. ) And you are going to see her again. Probably after she defeats this Enemy for us.
no subject
What he wants to do is acknowledge the sense that the two of them will always, inevitably, come back together. Of course he would come back to Clarke one way or another. But he doesn't say it. They're sitting together here, now. That's illustration enough.
In the moment, he can't distinguish between his own hurt and Clarke's, or his yearning and Clarke's yearning. There's water droplets clinging to the nape of her neck, beading along her bare shoulders. Bellamy wants to reach for her, but that's nothing new. After a long, breathless pause his gaze drops. ]
Murphy said that too.
[ Murphy had been apologizing, trying to erase some of the damage done. It still feels like a wound being ripped open to hear Octavia's name. ]
He didn't realize she might not want to see me when we make it back.
[ How could Murphy have known? But it would be enough to know that his sister was alive. Maybe even happy. He thinks Clarke must understand what it is to love someone like that. ]
I'm not angry at you, Clarke.
[ Hurt is different. He doubts Clarke will appreciate the distinction. ]
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but at the same time, she's unwilling to disrupt their careful calm they've established; the tentative peace. so clarke settles for staring at him, eyes big and sad, mouth slightly open — a dozen probing questions on the tip of her tongue. are you sure? are you okay? are we? but arguably the most pressing to sate her curiosity: )
Then what are you, Bellamy?
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And he nearly says it. He nearly offers her a single truth that's gone unspoken between them for ages. I'm in love with you, he almost says. The weight of the admission is heavy in his mouth. He's in love with her, and it had hurt to be sent away in Polis and it hurt to be sent away in the wake of Lexa and Murphy's castigation. It had been like missing a step in the dark and tripping, landing hard enough in the dirt to knock the breath out of him; the ache and pain of it lingered for days after. ]
I don't know.
[ A cop-out. Bellamy knows it. But he also knows Clarke might just let him get away with it. Admitting he'd been hurt and how that hurt had turned to anger and mellowed into exhaustion is too much to explain succinctly.
Had this been easier to do on the beach? Everything he and Clarke had ever done had been with disaster nipping at their heels. It was strange to have time like this to talk slowly, to circle around the idea of expressing forgiveness with any kind of deliberation. When Bellamy looks at her, his face is shattered open, giving away too much even without the added weight of emotions barely held in check. ]
no subject
( a weighted reiteration of his name; please and tell me and why? all wrapped up in three syllables and whined in a low, pleading voice. punctuated by a notable shift in their proximity, clarke scooting closer and leaning in. it isn't quite the soft touch on the shoulder or the careful brush of hair out of his eyes she'd considered for a split second before, but it's a physical bound across the metaphysical gap between them. and she's so tuned in to their conversation at face value, pushing for the open and honest communication they'd thrived upon, that no matter how loudly bellamy tends to leak his emotions, unspoken tongue weights roll off her shoulders like droplets of sweat coaxed forward by the hot steam bath.
for all the advantages of the symbiote, what good were words if not spoken aloud? no matter the anger and frustration they'd held for one another, once they'd started being honest, they hadn't stopped since. and so clarke pushes, her focus a sharp and commanding presence until bellamy actually meets her gaze and just looks...
wrecked.
it gives her pause. it makes her chest hurt. and some of the demand for the truth slips. covered in blood and dirt and darkness, hurting all over; their backs to a tree, a dead body some fifteen feet away. can we figure it out later? whenever you're ready. clarke's sigh is short but full of relent. she won't push when it feels like it would cause him pain, but remains bent close, eyes wide and imploring even as she nods. )
Okay. ( that's how they reconvened in times of disaster: okay, and the rest was digested separately. needing one another allowed for a great many things to be swept under the rug, but they do have time here. ) I'm sorry. If I hurt you, I'm sorry. I don't ever want to do that.
no subject
It's okay.
[ It's what Bellamy will always say. He'll always say it and he'll always mean it, no matter how he's been hurt. ]
I'm sorry I didn't come back.
[ Even if it had been the right thing to do to keep the conflict from escalating and give himself time to cool off, he knows it hurt her. And he knows the distance he kept since must have hurt her too. He's sorry for that. ]
Now, can we relax?
[ Probably not, but Bellamy needs to at least attempt to break the tension. ]