Entry tags:
[closed] a little less conversation
CHARACTERS: Ilde & Petre; Kusuma Ming & Fahima Hanne
WHERE: Ming's penthouse
WHEN: Day :051
SUMMARY: Turning the screws on Kusuma Ming.
WARNINGS: Violent ideation, torture, cannibalism (GOD DAMMIT PETRE)
Kusuma Ming has a sure stride. It isn't long - no, her mother taught her better than that -, but she moves in a way that's impressively direct. Hesitation is for amateurs or people with time to waste and she is neither. Even here, at the end of what's been a long day with nothing ahead of her but some light last minute work and an evening home, there's no point in lingering. Ming, along with her small fleet of private security personnel, make their way across the building's lobby directly to the private elevator. It opens to her ID chip and three of her security detail slide in after her.
There's no conversation. She instead spends the exceptionally short ride up to the penthouse picking a straw fleck of grit out from under one of her fingernails. When they arrive at the top level foyer, two of the guards hang back wordlessly just at the landing. Only one follows her along to the penthouse proper. Suffice to say, no one works for Ming because she's a pleasant boss. At the very least, she doesn't ask much of them - she knows some people who treat their bodyguards like servants. That's nonsense. She takes off her own coat the moment she's inside. She hangs it up herself, takes her own earrings out and places them in the small bowl inside the door. Better to treat security as if they're not there at all. It makes the whole concept less obtrusive, doesn't it? Who wants to be aware they're being followed or watched? No one, she tells herself (--that's practice for tomorrow; she has a meeting with investors in the afternoon and none of those cheap suits would know what separates good security from the bad).
Kusuma takes her shoes off, then sweeps down the stairs to the penthouse's main level. It's all sleek dark wood, pale grey furniture. There's a broadcast playing quietly on the holoscreen; Fahima must have decided to stay for the evening. It's too late to expect dinner, but--
There are two people on the elegant sofa at the center of the room, the light off the holo feed flickering idly there. Kusuma pauses, one hand still on the steel stair railing. She'd recognize Fahima from the back of her head, but the other one?
Right. She'd been shopping with a friend.
"If I knew you were expecting to entertain, I would've brought a bottle of wine home." It's a little cutting. Fahima might have at least given her the courtesy of leaving a message to warn her she'd be coming home to a guest.
WHERE: Ming's penthouse
WHEN: Day :051
SUMMARY: Turning the screws on Kusuma Ming.
WARNINGS: Violent ideation, torture, cannibalism (GOD DAMMIT PETRE)
Kusuma Ming has a sure stride. It isn't long - no, her mother taught her better than that -, but she moves in a way that's impressively direct. Hesitation is for amateurs or people with time to waste and she is neither. Even here, at the end of what's been a long day with nothing ahead of her but some light last minute work and an evening home, there's no point in lingering. Ming, along with her small fleet of private security personnel, make their way across the building's lobby directly to the private elevator. It opens to her ID chip and three of her security detail slide in after her.
There's no conversation. She instead spends the exceptionally short ride up to the penthouse picking a straw fleck of grit out from under one of her fingernails. When they arrive at the top level foyer, two of the guards hang back wordlessly just at the landing. Only one follows her along to the penthouse proper. Suffice to say, no one works for Ming because she's a pleasant boss. At the very least, she doesn't ask much of them - she knows some people who treat their bodyguards like servants. That's nonsense. She takes off her own coat the moment she's inside. She hangs it up herself, takes her own earrings out and places them in the small bowl inside the door. Better to treat security as if they're not there at all. It makes the whole concept less obtrusive, doesn't it? Who wants to be aware they're being followed or watched? No one, she tells herself (--that's practice for tomorrow; she has a meeting with investors in the afternoon and none of those cheap suits would know what separates good security from the bad).
Kusuma takes her shoes off, then sweeps down the stairs to the penthouse's main level. It's all sleek dark wood, pale grey furniture. There's a broadcast playing quietly on the holoscreen; Fahima must have decided to stay for the evening. It's too late to expect dinner, but--
There are two people on the elegant sofa at the center of the room, the light off the holo feed flickering idly there. Kusuma pauses, one hand still on the steel stair railing. She'd recognize Fahima from the back of her head, but the other one?
Right. She'd been shopping with a friend.
"If I knew you were expecting to entertain, I would've brought a bottle of wine home." It's a little cutting. Fahima might have at least given her the courtesy of leaving a message to warn her she'd be coming home to a guest.

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"Good. Where is the meeting, when are they expecting you?"
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"Six hours from now. It'd probably be easier to draw you a map, my dear."
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"It's hilarious that you think it'll matter. Give us four hours and there won't be anything left for you to salvage."
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"Then perhaps you had best tell me about your bomb, as well."
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"Don't touch her--!"
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"I will kill her." The drum of her threats is utterly infernal, like a thousand furious hearts all struggling to function. "I will break every one of her bones, one by one, before I slit her open and remove her organs with the same meticulous care."
Her grip on the other woman's foot is very tight, a suggestion of what had begun to press down on Fahima's windpipe. She contemplates the merits of simply snapping that ankle now, just to make herself very clear.
"Or, you may continue to answer my questions."
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"The Omega Memory Bank." She hears herself say it more that she knows that she does. That's her voice, shaping those sounds into words. "But if the bomb goes wrong, we'll go underground. You'll never find us again. I'll be the only person you ever see. Loke and everyone like him will disappear."
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She fiddles the electricity back on in her gloves without a word, holding on tight as the woman spasms from the shock. The problems as Ming has presented them can be solved.
( I have finished. Please come assist me in moving them... I think we will restrain them in the bedroom, and you will be needing Kusuma Ming's appearance as we leave. )
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Maybe if he just grabs Ilde's wrist and turns into her.
Right now, there's someone else in his grip. One of Kusuma's other guards, with the third lying down behind him. To surveillance, it will just look like they attacked the woman called Eelis, who in turn took care of everything. When they see her walk back in, and Kusuma walking back out, they will likely suspect that their boss was actually saved.
Petre drops the body heavily. A curious gaze drifts over to where the women lie, cat-like stillness to his moves.
His thoughts, if unintentionally, are transmitted to Ilde easily enough: he wants to eat them.
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( The guards are unimportant. Ming must be preserved to answer for what she's done. )
It is not exactly permission, but if he is going to do it one way or another, her only real care is that Kusuma Ming survives to suffer for her choices.
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He says so to shed off the mental link, too bored with silence anymore. Petre simply walks over to take a good look at Kusuma, her features, shape and clothes blossoming from his previous disguise. It isn't a very gruesome process; it's like shedding a layer of liquid to reveal what's underneath.
He looks at Ilde with the same consideration Kusuma would have given a pretty face with no other interesting qualities.
"Can I eat the girlfriend."
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She peels off her taser gloves, tucking them back into her shopping bags. It will look best if she leaves with the things she came in with, so she gathers them by the door.
"Don't take long."
Not a yes, not a no.
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Petre's surprise is concealed. He might even be a little impressed; he will be more so if she actually sticks around while he does it.
The boy reverts back to his original form, teeth growing out like a hundred jaws trying to fit inside one. Black eyes, wide mouth and claws, he rips Fahima's body apart. A young demon would never be careful, but he is particularly gruesome and hasty with how he devours his way through the woman's most tender parts. Once he's done, all the blood and gore are hidden underneath that sticky liquid that takes form and allows him to look like someone else.
Two fingers wipe at the corner of his mouth; his other hand runs through the facsimile of Kusuma's impeccable hair, and he places her heels back on. Her jacket, her bag. He's ready.
"Shall we, Miss Vilmaine."
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She meets Petre's eyes calmly as he turns back towards her. Should she be grateful, that this ugly little monster has helped to bring her back to this part of herself which is familiar? She is in control once more, or that is at least how it feels. With her emotions so carefully boxed away, it is hard to decide. Should she be disgusted with the both of them? Or did their ends justify their means. Why had she done it if it hadn't.
"Let's go," she agrees without another thought or glance at Fahima Hanne's remains.