Entry tags:
- *mission log,
- bellamy blake [the 100],
- bucky barnes [mcu],
- cathaway,
- commander shepard [mass effect],
- damon salvatore [the vampire diaries],
- john murphy [the 100],
- joseph kavinsky [raven cycle],
- lexa [the 100],
- misato katsuragi [evangelion],
- petre dodrescu [original],
- pidge gunderson (katie holt) [voltron],
- sam wilson [mcu],
- seviilia brightwing [warcraft],
- takashi "shiro" shirogane [voltron],
- the prince
MISSION: WAYPOINT SHRIL, PT. I
CHARACTERS: All
WHERE: WAYPOINT SHRIL
WHEN: Day :025 - :029
SUMMARY: Welcome to Waypoint Shril, the soon-to-be home to the galaxy's most incredible competition!
WARNINGS: N/A, will update as necessary.

SOMETHING IS WRONG. Strange, how a moment ago everything seemed perfectly fine - as normal as things get on Station 72 - and then the next the entire void shifts by a degree. There's a crackling, anticipatory feel in the air. Dwelled on too long and it might become nauseating, triggering some hindbrain impulse the nervous system under the skin or--
Something is coming.
Something is coming undone.
In the heart of the Station in a small, featureless circular room, The Prince and Cathaway dredge the Station from its mooring. There's a rush of shared adrenaline, then an massive sensation like an inhale. A gulp of breath. Relief floods through the body like something palpable as the massive beehive structure of the Station snaps into real space above the deep space space station known as Waypoint Shril.
( ▬▬▬▬▬▬▬▬...Please meet us in the hangar. We have your next assignment....▬▬▬. )
Once they've arrived at the hangar, the Hosts will be briefed by Cathaway and Prince on their new objective. They'll be given their mission kits, along with a written brief on their databanks. The usual warnings apply. Try not to kill anyone. Do not get killed yourself. And accomplish your mission. From there, pack yourself onto the transport shuttle and make your way to the Waypoint. --One of you knows how to drive, right?
Once ejected from the Station, you'll find yourself on one of literally thousands of ships. The black space above Waypoint Shril is full to bursting with air traffic from the smallest pod-shaped one being ship to the most gargantuan floating planet cruisers. Some of them rival even the Station which now lurks, a mottled white and grey latticework structure that's no more bizarre to look at than any of its neighbors.
VROOM. A ship shaped like a sword with a naked multi-limbed alien painted in lascivious, technicolor detail along the blade slices directly across the path of the shuttle transport. It blares a proximity alarm and a holographic message full of swearing and threats pops up even as the ship blasts down toward the traffic choked landing platform in the distance. A school of insectoid fighters go swarming after it. In the distance, the flash of ships dropping out of hyperspace through the gate rings gleams like a strobe light and on around the landing platform itself buzz two dozen security vessels desperately trying to keep order.
Welcome to Waypoint Shril. Don't crash into anyone on the way in.

((OOC NOTES: Welcome to Waypoint Shril! This log covers the arrival on the Waypoint and can be used for anything prior to the start of the Aurora Blue Arena! on Day :029. However, feel free to make your own logs if you choose! You can find a complete mission overview and a place to ask any mission-specific questions over at the OOC post.
Thanks everyone!))
WHERE: WAYPOINT SHRIL
WHEN: Day :025 - :029
SUMMARY: Welcome to Waypoint Shril, the soon-to-be home to the galaxy's most incredible competition!
WARNINGS: N/A, will update as necessary.

SOMETHING IS WRONG. Strange, how a moment ago everything seemed perfectly fine - as normal as things get on Station 72 - and then the next the entire void shifts by a degree. There's a crackling, anticipatory feel in the air. Dwelled on too long and it might become nauseating, triggering some hindbrain impulse the nervous system under the skin or--
Something is coming.
Something is coming undone.
In the heart of the Station in a small, featureless circular room, The Prince and Cathaway dredge the Station from its mooring. There's a rush of shared adrenaline, then an massive sensation like an inhale. A gulp of breath. Relief floods through the body like something palpable as the massive beehive structure of the Station snaps into real space above the deep space space station known as Waypoint Shril.
Once they've arrived at the hangar, the Hosts will be briefed by Cathaway and Prince on their new objective. They'll be given their mission kits, along with a written brief on their databanks. The usual warnings apply. Try not to kill anyone. Do not get killed yourself. And accomplish your mission. From there, pack yourself onto the transport shuttle and make your way to the Waypoint. --One of you knows how to drive, right?
Once ejected from the Station, you'll find yourself on one of literally thousands of ships. The black space above Waypoint Shril is full to bursting with air traffic from the smallest pod-shaped one being ship to the most gargantuan floating planet cruisers. Some of them rival even the Station which now lurks, a mottled white and grey latticework structure that's no more bizarre to look at than any of its neighbors.
VROOM. A ship shaped like a sword with a naked multi-limbed alien painted in lascivious, technicolor detail along the blade slices directly across the path of the shuttle transport. It blares a proximity alarm and a holographic message full of swearing and threats pops up even as the ship blasts down toward the traffic choked landing platform in the distance. A school of insectoid fighters go swarming after it. In the distance, the flash of ships dropping out of hyperspace through the gate rings gleams like a strobe light and on around the landing platform itself buzz two dozen security vessels desperately trying to keep order.
I. PLATFORM ALFA
When the ship finally docks on Waypoint Shril - after a lot, lot longer than you may have liked -, the scene that greets you is more hectic than even the busiest rush-hour on Concordia. There are simply too many people in too small and too hastily prepared of a space. The platform itself was clearly designed for utility, not for comfort and not for style. The walls- towering sheets of welded metal from a countless number of sources, flecked with old paint and the occasional slash of grafitti - offer nothing in the realm of sound dampening, and the electro-cloth banners that hang from the ceiling, advertising the Aurora Blue Arena! in dozens of different languages do little to help. As a result, the entire platform echoes with thousands of voices trying to talk over each other and the newly enhanced intercom system struggling to be heard over the din as it works to provide simple directions and instructions for the teeming mass of tourists.
In the press of flesh and the constant motion, it’s easy to get swept away from your party. It’s easy to find that the items you just had on you are suddenly missing, expertly palmed away by slippery fingers as you try to push your way towards the series of pneumatic tubes leading to the Waypoint proper. Ship's hydraulics hiss, lights flash, and the smell of greasy stall food spreads out from the edges of the platform. There are a few bright-eyed, clever locals - or what count for locals on Waypoint Shril - who don’t hesitate to reach out and grab your arm, offering to be your guide. Asking if you’re here as a spectator or a participant. Asking if you need information. Company. Everything has a price.
Get your bearings - if you can. It’s going to be a long couple of weeks.
II. THE MOST FABULOUS PLACE IN THE UNIVERSE (Please Excuse Our Dust!)
Waypoint Shril's main thoroughfares and twisting platforms may have made sense to someone, but now absolutely no one knows how to navigate them as the ABA! has swept through Waypoint, bulldozing and building up anything and everything in its path. Oh, did you like that tentacle sandwich shop you stopped in five minutes ago? Too bad! We decided two minutes ago we're tearing it down to make way for a spa-slash-beer-garden! Stand back please, there are explosives detonating in this area in 3, 2, 1…--!
Everywhere you look, Waypoint Shril is undergoing a dramatic transformation. Maybe there are places on the outskirts, far from the Arena Zone that aren't literally being paved over or built on top of, but they seem to be the exception to the rule. Don't get lost as the neighborhood quite literally changes shape around you!
III. MEET THE COMPETITION
Between the fabulous prizes and the fabulous fame - every single still-living winner of the previous competitions became household names before they stepped out of the Arena, then went on to live lavish lives of excess where they're paid exorbitant fees just to be seen and heard, known for canoodling and cavorting with the best, the brightest, the most privileged the Galaxy has to offer- it’s no surprise that the ABA! draws competitors like a magnet. And while not everyone advertises their status, plenty do - hoping to exchange the slimmest possibility of their victory for favors or drinks or just plain old attention. They’re loud, they’re visible, and plenty of them are very, very drunk, or whatever counts for drunk for their species.
If you want to size up the competition, now’s the time - in the middle of Blunt Force, with scores of other competitors lined up. The club itself is home to a deep, thrumming beat that vibrates through your chest, the industrial concrete walls covered in splashes of electro-paint that pulses in time with the beat. The floor is dark and smooth, the bar is long and there isn’t a single seat to be found at it, just an endless slab of some ancient black stone that drinks slide back and forth across. Every bartender wears a half of a mask in clear plastic run through with simple circuitry in complex patterns and they’ll keep you hydrated for a modest price. Above the floor on a catwalk composed of corrugated metal and transparasteel there are low couches and cushions in rich fabrics of a hundred different patterns of velvet and neon, two dozen tables, and another small bar that will hand out drinks and powders and oils and smoke. The patrons are as varied as anything else in this place, as hodge-podge. Slender, slick looking people with hunched backs and long necks. Short, broad aliens with four legs and four arms. Something heavily shrouded, the only part of them visible a proboscis. Some are here to dance, some to drink, some to talk and more than a few to fight - maybe for keeps. Hell, you might be one of them.
IV. WILDCARD
There's plenty to see, do and explore. You've got a few days before the competition kicks off - might as well make the most of it.

((OOC NOTES: Welcome to Waypoint Shril! This log covers the arrival on the Waypoint and can be used for anything prior to the start of the Aurora Blue Arena! on Day :029. However, feel free to make your own logs if you choose! You can find a complete mission overview and a place to ask any mission-specific questions over at the OOC post.
Thanks everyone!))

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Being there.
The Soldier's gone, and Sam collapses down still half on top of Bucky, breathing heavy from exertion.
A rush of pride sweeps over Bucky's mind - you did it, you fucking did it - and Sam can't quite put that into words, even mentally, but it doesn't really matter when he's inside Bucky's head so much that all he's gotta do is feel it and it's there.
He needs a minute. He just - needs a minute, to figure out how to untangle himself enough from Bucky's mind that he can get back to his own. ]
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He doesn't know what he did, not sure if he wants to, but the door behind him slides open and the moonlight flickers overhead, glitching in and out. He's waking up, slowly but surely.]
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He breathes, in and out, tries to let himself relax, lets a last little bit of warmth seep into them both.
Reaches back for their brood bond, grabs on tight to it - he could follow it back out, he thinks, maybe, if he can figure out which end is which, but that seems like a lot of effort, too.
Or maybe he's just lingering, not wanting either of them to be alone. ]
( Hey, sunshine. You find your voice yet? )
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Inside, the glass edges of Bucky pivot and turn as he climbs to the pieces of his feet that have returned. He glances toward Sam standing out in the snow before stepping into the bunker. The glass scrapes against the variegated steel as he moves.]
What happened? [Bucky grunts, unsure if he's speaking in English or not or if that even matters.]
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Sam's not sure if that thought is comforting or unsettling as fuck, but he'll take it right now. His shields are trashed, anyway, so it's not like he can pull himself behind them.
There's blood sticking to his shirt, and when he tries to move, his whole side is a mess of pain. He winces, and goes back to holding still for a moment. Honestly, he's got no idea what language Bucky is speaking, either - but he matches it automatically. ]
A pack of idiots tried to rob us. Didn't turn out so well for them. How much you think it's gonna cost to get someone to clean this mess up?
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I don't... remember. [His voice buckles and warbles as he tentatively reaches up for the bloody spot on Sam's side.] Where...?
[Where are the robbers? Are they dead? Did he kill them?]
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I'll go in with you and I'm still here all rolled up in one, even if he doesn't quite say them.
He doesn't flinch when Bucky reaches for him, makes no move to stop him. He's tired, and like this - like this he trusts Bucky. ]
You didn't shoot me, one of them did. I shot you. [ There's no guilt from Sam's side of the mental link - he hadn't meant to hit Bucky as badly as he did, but he had meant to shoot him. ] Do you want it?
[ The memory of what happened, he means, but he doesn't have to say that for it to be clear through their connection. Close as they are, he's pretty sure flashes of it'll slip out even if he just tries to explain what'd happened. ]
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He pauses at the step of the bunker, staring out into the snow for Sam. Once he spots him, he moves to the side in a silent invitation to come in. The guilt comes in the form of an acid that drips from the ceiling, dour smelling and corroding the edges of the frigid steel.
He wants to know, he has to know.]
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There's a rush of relief when Bucky agrees, that Sam doesn't have to try to retell it. He steps inside the bunker, reaching a hand out to Bucky at the same time as he thinks back to the last five minutes.
The memories are fresh, tinged with Sam's emotions - Bucky's call of alarm, five people with guns barking orders, a burst of anger fueled by an underlying helplessness as one of them put a gun to Bucky's head. The spark of electricity from Bucky and the sweeping darkness that Sam immediately takes advantage of, taking out two of the robbers and getting shot by a third before taking that one out, too.
When he'd looked back and seen the Soldier, and the other two robbers dead. The certainty that he was going to keep his promise. His recall from there is fuzzy, since so much of him had been occupied in Bucky's head, but he remembers shooting the Soldier, remembers tackling him to the floor and glass breaking and his symbiote ability activating to switch their injuries. Remembers the Soldier headbutting him, and transferring the injury back to him. ]
Sometimes this ability bites me in the ass, but sometimes it's good for something.
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More pieces of glass gather about Bucky's form as he leads the way into the bunker even as steel melts around them. Amber lights flicker to life, faces etched in cloudy glass with dates. Women, men, children... a long, long row of them stare down as the illuminate one by one. He pauses when they reach blank slats beside Fury, Nicholas, Rogers, Steve, and Wilson, Sam.
There wasn't supposed to be anymore. The next time was supposed to be the last time.
And yet here he is alive when Sam is bleeding and there are five dead bodies on the floor.]
You said you would kill me. [He grunts, lip curled against the burn of the guilt in his gut.]
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His fingers itch to reach out and pull his own name from the wall, to tell Bucky not to put him up there, that he refuses to be just another face to add to Bucky's wall of guilt.
He doesn't, but he's not sure the feeling doesn't come across, anyway. ]
One of them shot me, Bucky, and another one held a gun to your head. I'm not exactly gonna lose sleep over taking them out.
[ Maybe that makes him a bad person, but it's true. And he knows it's different for Bucky, knows that the sticking point is that the Soldier came out and Bucky wasn't in control, but he still frowns a little at Bucky's comment. He doesn't get it; he knows that their connection is strong enough that Bucky can feel that he was ready to carry out the promise. That he still is.
He doesn't realize that they've got slightly different ideas of what the promise is. ]
I still will. Look, man, I'm exhausted, can we do whatever this is after your head's not pounding and I'm not bleeding?
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[The words fall out of his mouth before he can stop them or the bitter edge. He can feel Sam's sincerity beside him in the bunker. Amber rises from the darkness below, five more. The railing next to them curls in on itself and melts to the steel of the walkway. Stupid Bucky. So stupid. Trusting anyone to take him out when the time came, to put the mad dog down. Instead, he's doomed to walk this row again and again until it spans until infinity, until he somehow wrests control from an uncontrollable force, stuck in the loop for eternity.
Sam promised and Bucky can't seem to climb over that hurdle. What limited hope he'd held onto, knowing that someone would keep this from happening again, disappears entirely and maybe it's the concussion or the weight of the exhaustion and guilt but he's so tired. So deeply tired of it all. Of HYDRA continuing to rule his life. Of becoming the Soldier time and time again despite the work to build mental shields.
None of it matters. None of it matters and he shuts his eyes to focus on the internal, to push the now-intruder out of his head.
Get out.]
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[ He's angry. He doesn't really understand why he's angry, except that Bucky's angry at him, and he doesn't know why. Except there's five more amber lights and those aren't all Bucky's, except it has something to do with the promise that Sam made him and he can feel that Bucky doesn't think he's going to keep his end of it.
Even if he couldn't, the bitter way that Bucky throws those words at him makes it pretty damn clear. He stays right where he is, stubborn and irritated. ]
I know I promised, you think I forgot? You think I don't know that one day I'm gonna have to kill you; do you not get that it's gonna kill me too? That I'm gonna do it anyway, because I promised?
[ Except after this, there's something that he'd thought - he'd hoped - might make a difference, but his head and his side hurt too much for him to think too much into it. And he hadn't meant to say that last part; he hadn't ever meant to make it obvious exactly what killing Bucky was going to do to Sam, both because he didn't want to admit it and because he didn't want it to influence anything.
But he's upset. That Bucky thinks he isn't going make good on that promise, when Sam knows exactly what he's giving up to make sure he will. ]
I'll kill you before you hurt an innocent again.
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It already happened! [Bucky wants to shout, but he's so fucking nauseous and so tired of everything. He pushes harder against Sam's presence in his mind, but he doesn't have experience pushing people out. That's what all his practice building shields was supposed to do but here he is back at square one, still nothing more than a ticking time bomb that has blown up in the faces of five people and Sam.
Those five people won't go back to their families, their children, their wives.
And Sam? Bucky can't ignore the memory of seeing himself straighten, thin his profile and fire.
Goddamit.
God-fucking-dammit.
He can't form the words, he's so angry. As far as he's concerned, Sam broke the promise and nothing else matters. Bucky killed five people, whether directly or not. If the Soldier hadn't come out, the five robbers wouldn't be face down in their own blood right now. Fucking Christ he can't... he can't do this. He can't. And apparently he can't trust Sam to keep his word and somehow that's the most frustrating part of it all. He hates that. He hates that the fact that he's alive is worse than the five corpses growing cold on the ground.
And he's so tired and he can't kick seem to kick Sam out.
So he screams. He screams like the Soldier, animalistic and bone-deep and then he's quiet, eyes burning as the crushing guilt follows. What does he have to be upset about? What right does he have?
God, he's going to be sick. ]
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He signed on to protect people from the Soldier, even if that meant killing him, not to put Bucky out of his own misery.
Sam's own anger deflates in the face of Bucky's, and he takes it all in. Doesn't try to soothe him, doesn't try to explain, doesn't try to tell him that he's wrong, just lets him get it all out. Bucky isn't wrong. Neither of them are, but he's not sure Bucky's in a place to understand that right now. Even if it means he has to swallow down the bone-deep hurt when Bucky thinks that he can't trust Sam, when all Sam's ever wanted to do is show Bucky that he could.
Honestly, he's not sure he could completely leave even if he wanted to. His shields still aren't where they should be, and he can't remember how to keep himself locked up in his own mind anymore.
He wants - he wants to get them back on the same page, to hash out the specifics of the promise the way he apparently should've done the first time, to figure out what happened tonight and make sure Bucky understands what he's asking Sam to do.
But he's upset and Bucky's upset, and he thinks he's stopped bleeding but moving wrong'll probably change that, and he's pretty sure both of them need some sleep before they're capable of rational thought again. He reaches out, slowly, trying to touch Bucky's hand. ]
I'm sorry. I'm sorry, Bucky, you got every right to be mad.
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He doesn't deserve the promise of death in the first place. Death is too quick and kind for someone like him. He deserves to stare up at the faces in the glass and remember what he's done. The steel walkway is buckling and warping under the acidic rain now a steady downpour inside.
Outside, his eyes burn and warmth slides down his temples where he continues to lay haloed with glass. He's a damned man and he deserves every second of it.
His heart aches with the reality, with the futility of it all, and he weeps for what feels like the first time in his life.]
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Without conscious decision, Sam pushes himself up until he's more or less sitting upright and hauls Bucky up with him into his arms. Glass digs into his knees through the fabric of his pants but he doesn't really give a shit at the moment.
At the same time, he stretches himself back around their brood bond, his warmth faint but still there, wings fluttering up to wrap around him and Bucky mentally in an echo of his physical embrace. He doesn't offer reassurance, doesn't say it's gonna be okay, just -
Sits there in the glass, holding him close and letting him cry. ]
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Upright, he can see blurry glimpses of the robbers and mentally he begins to etch their faces into the blank amber slats. Five. Five more dead because of him. Because he's alive. Because the Station is stuck with a broken soldier missing an arm and most of his memories.
It keeps happening and there's nothing he can do to stop it.
He gulps down air as he sobs, greedy and selfish to keep swallowing air when the corpses on the floor can't.]
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It's only when he feels the shame coming from Bucky that he turns soothing, one hand stroking down Bucky's back. It's okay to cry, and Sam doesn't have to say that for the feeling to permeate through their bond. A wordless support and encouragement, an invitation to keep going as long as it takes, because Sam ain't going anywhere.
There's nothing he can say in the face of Bucky's hopelessness, not right now. All he can do is be there, try to hold Bucky together while he falls apart, and hope that Bucky'll let him help try to make something of the pieces when he's done. ]
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But he can't stop the downpour of tears or the wretched sobs he's making.
None of it matters. It burns into his mind like a brand, searing hot against the acid already eating through him.
He should never have escaped.]
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No.
There's almost desperate tinge to the thought. His arms hold Bucky tighter and he winds himself deeper into their brood bond, like if he just pulls him close enough he can ward off the feeling that either of them - that anyone wold ever be better off if Bucky hadn't escaped. ]
Oh, sunshine, no. That ain't a path I'm gonna sit here and let you go down. You're so much more than what they tried to make you.
[ Memories flit through not quite intentionally - Bucky at his back in that tiny ass car, at his side in the airport, Bucky's faint smile getting teased about hot dogs, the press of their palms with a coin between them on two different occasions, Sam using the coin Bucky gave him to ground himself, feathers in his hands and Bucky's hair through his fingers, holding on to him in the hallway of the Station and remembering what it felt like to breathe, to feel comforted, the light of Bucky's smile when they found the animals nesting in the studio.
The jumbled up mix of emotions Sam has for him, some he hasn't even put a name to yet: exasperation-surprise-hope-determination-frustration-love-friendship-irritation-support-comfort-hope, Sam lets Bucky have them all. ]
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He doesn't respond and he keeps his face buried in Sam's shoulder as his sobs slow into hiccups. He can't do this. He can't do any of it, not when they'll wind back up right here. He remembers Sam telling him he wanted to see more of Bucky, more of the smiles and laughs and Bucky doesn't have the energy to recall the full memory. Pieces of him are still so spread out across his mind, fragmented and broken in ways he doesn't know how to fix.
Exhaustion is hollowing him out faster than he ever thought possible, filling up the space left by his expressed grief.]
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Sam kind of gets the feeling this is all they've both got in them right now.
He gently runs his fingers through Bucky's hair, carefully dislodging any pieces of glass that he finds. ]
Come up to the studio with me, all right? Let's get some sleep. We can do this later.
[ Talk about all of this, come up with a plan, clean this mess up, it can all wait - although all right, slight adjustment, Sam's pretty sure he needs to at least bandage himself up before that. Then he can just faceplant into bed. ]
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But he's so, so tired and he's not sure he could walk straight on his own either with his swimming vision and pounding head. For now, sleep is going to be really the only option. Just for now, he tells himself, despite knowing that Sam can hear it all. It doesn't matter.
None of it does.]
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[ And they both know how Sam feels about Bucky running all the time, but for once Sam agrees that doesn't matter right now. That can get added to the list of things for later, that Sam is always gonna put himself between the Soldier and anyone else.
He pulls Bucky up at the same time as he hauls himself to his own feet, swaying just a little before he steadies. He reaches out to thumb the button that'll lock the doors, then slides an arm around Bucky's waist, tucking himself against him on his good side.
Then he pushes forward, trying to get both of them up the stairs. ]
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