joseph KAVINSKY (
100mitsubishis) wrote in
station722017-02-28 05:47 pm
you wanted someone to hurt you [open]
CHARACTERS: Kavinsky & anyone
WHERE: The Station; Circle Gardens
WHEN: DAY :010.
SUMMARY: Elsewhere, the station turns. Here, Kavinsky gets high.
WARNINGS: Drugs. So many drugs. May update if things get... worse.
[The Circle Gardens are as close as Kavinsky can get to a clearing in a forest, so he's found himself a spot of empty grass to sit on during another day on the good ol' station. It hasn't been that long since he was stripped from planet Earth, but he spent so much of the last few years in a drug haze that all of it-- this moment, and the ones preceding it-- could reasonably be a dream. From dust mote to whistling breeze that isn't a breeze, it's him, whistling. All you have to do is pucker your lips and blow and know exactly where to put your tongue.
Speaking of his tongue, it's tingling. There was a tab on it not long ago. A small strip of an acid hybrid of his favorite make, namely his own. Colors mash together, sometimes into violent neons that have no place amongst the greenery.
He's on a high tier of the garden. He's on a high tier of another variety. And he remembers back when someone kindly shared their moonshine with him.
There's that pied piper voice, temptation on a stick.]
( Wanna come over? )
[A mental call with no set destination. It zigzags, pingpongs, hits then bounces and keeps on coming. Anyone could come and visit with him. He has a little bit of everything (with all his free time, he's been sleeping, creating, God-like).
Forever ago, on a balcony, a witch told him not to fuck around with this stuff so much. He'd affect all of them.
The problem with that warning is it didn't do a thing to turn Kavinsky's path.]
WHERE: The Station; Circle Gardens
WHEN: DAY :010.
SUMMARY: Elsewhere, the station turns. Here, Kavinsky gets high.
WARNINGS: Drugs. So many drugs. May update if things get... worse.
[The Circle Gardens are as close as Kavinsky can get to a clearing in a forest, so he's found himself a spot of empty grass to sit on during another day on the good ol' station. It hasn't been that long since he was stripped from planet Earth, but he spent so much of the last few years in a drug haze that all of it-- this moment, and the ones preceding it-- could reasonably be a dream. From dust mote to whistling breeze that isn't a breeze, it's him, whistling. All you have to do is pucker your lips and blow and know exactly where to put your tongue.
Speaking of his tongue, it's tingling. There was a tab on it not long ago. A small strip of an acid hybrid of his favorite make, namely his own. Colors mash together, sometimes into violent neons that have no place amongst the greenery.
He's on a high tier of the garden. He's on a high tier of another variety. And he remembers back when someone kindly shared their moonshine with him.
There's that pied piper voice, temptation on a stick.]
( Wanna come over? )
[A mental call with no set destination. It zigzags, pingpongs, hits then bounces and keeps on coming. Anyone could come and visit with him. He has a little bit of everything (with all his free time, he's been sleeping, creating, God-like).
Forever ago, on a balcony, a witch told him not to fuck around with this stuff so much. He'd affect all of them.
The problem with that warning is it didn't do a thing to turn Kavinsky's path.]

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Still she answers his call with wordless affirmation. A certain sense of agreement to follow the trail he leaves behind, playing labyrinth until she finds him in the garden, looming over all living things, whistling a tune like a portent for bad luck-- now, that's not fair, he's only a boy after all. Dark and chaotic and fearless, but just a boy.
She crosses her arms and looks up with mild amusement. ]
( Don't jump. I won't catch you. )
[ She could talk to him with her vocal chords like normal people would, but somehow she thinks it wouldn't reach him so high up there. ]
40 years later... i exist
She's slowly becoming important to him. He hasn't decided if that's a problem he should nip in the bud or let unfurl its petals.]
( Liar. )
[He's ninety-nine percent sure she'd try to, at least. He gestures with one arm, urging her to find a way up to his perch. The view's great.]
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Or is she?
His challenge is met with a grin as she turns left, right, then starts making her way up. ]
( This better be worth it, Kavinsky. )
[ He's right, anyway. She'd catch him. Whether that's out of any fondness or necessity, because losing him would be as hurtful as losing Sirius, is up for debate. ]
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[It's worth it to him. High above the main pathways, he's secured a view of the gardens that he assumes few have bothered with. This is how it always begin; the surfer who finds the one stretch of beach nobody's sold sausages on. Not yet. Then they fuck it up by telling someone else and then someone else tells someone else, and nobody realizes they should've monetized it until someone else does. Right now it's a little pure, like a clearing in a woods that you've carved out for your personal garage of dream cars.
Misato can share that part. Kavinsky even scoots over to make room.]
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Wordlessly, she takes the room he makes for her, limbs relaxed. Funny, she thinks that's his doing. ]
You're high as hell, aren't you?
[ It's an observation, without anger or judgment. They each have their own vices. ]
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As Heaven.
[A lazy correctly. Hell's downers. Get it? He kicks out his legs. Lets them swing in the vacant air.]
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C'mon. You can't say that and not share.
[ She follows suit to stretch out her legs to the drop, hands wrapped over the ledge. The fear, someone says, isn't that one might fall. It's that one might feel the compulsion to jump. A flicker of mirth passes through the link between them. Silly. Whoever said that never knew them. He would jump without fear, she thinks, while she would jump still believing that somehow she would land on both feet by sheer luck. We make our own luck. ]
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Do you like to snort or swallow?
[There's a lascivious edge to swallow that has never and will never be appropriate. His mouth likes to wallow in the word. The way his lips part around the wa part is too smooth; he's said this before so many times.]
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I don't know how to snort.
[ Just to keep from having to pronounce the fateful word now. But to present her with a source of fear is to watch her up the ante and raise the stakes. She lets go of the ledge to offer an open palm his way, speaking in English for a change and mimicking him as closely as she can: ]
Give me something to swallow.
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... i'm sorry Kavinsky is shitty
shit meets shit tbh
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So he's heading towards the training area with his wingpack when he gets the call, and of course he recognizes that mental voice. Kavinsky, damn that kid's got some shitty coping mechanisms. But there's a hum of agreement before Sam even consciously thinks about it, flowing out across their mental connection. It's not in Sam to leave him alone like that, even if there are others in the Nest who might answer the call.
Especially because there are others in the Nest who might answer the call.
He changes course and heads for the gardens instead, following Kavinsky's mental signature in a way that's starting to become familiar. When he spots him on a high tier of the garden - Sam flicks his wings open and flies up, hovering in front of him. ]
Celebrating or drowning your sorrows?
i live probably
[There was nothing but a firm, smug sensation of comfort when he sensed Sam on his way. He should've known he'd prove to be a fun constant the first time they met in that shitty junkyard. What a way to be introduced. Since then, it's been trash experience after trash experience, but none of them left him feeling empty or bored. High praise from someone always seeking the next thrill. Bigger crashes. Louder detonations. They definitely aren't healthy coping mechanisms, but at least he has enough common sense: Kavinsky has yet to start any fires on the station itself.]
I made you something. Catch.
[Because he's been carrying it with him since he made it a couple nights ago. Soon as he knew Sam was on his way, he found the pocket he'd tucked the present into. Now it's in his hand. Now it's in the arm, thrown underhand for an easy catch.
A pair of sunglasses. Just as flashy as one might expect-- silver framed with reflective lenses.]
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It does surprise him that the kid throws something at him, though, and for the moment he's distracted from following up on it by catching it. And then he laughs when he sees the shades, bright and amused. All right, yeah, effectively distracted - and maybe starting to get a little bit of bleed over from the mental link - as he puts the sunglasses on. ]
Charmer. What d'you mean you made these?
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[The mental bond makes secret spilling inevitable, so Kavinsky has decided to be specific as to what he guards and what he shares.
The circumstances around the death of his father? Confidential, locked up tight and buried. He does not contemplate them so that inquiring minds have no reason to stumble over the corpse and start screaming, asking questions, spewing accusations.
Dreaming? That can be told, easy as letting someone know you plan to sing at the school talent show. Everyone here has a power given to them by the symbiote, or they came with one, or--like K--they've been working with both. He doesn't have to be concerned with being strapped down to a table and made to dream up trinkets for the hometeam.
He is the hometeam. They're so lucky to have him.
He kicks his legs out. Lets them swing back, driven mostly by gravity.]
You look like a douchebag.
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[ He pulls the glasses off to look at them more closely, and puts them back on with a wide smile, teeth flashing, when Kavinsky tells him he looks like a douchebag. ]
You caught me. Maybe that's my secret.
[ Sam flies up a few extra feet and kills the jets to his pack. His wings beat for a moment, long enough for him to whirl around, then he wraps them around himself and drops down to sit next to Kavinsky on the ledge. ]
So what, your dreams become real?
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Then he dreamt the glasses. He has no good excuse--not like he's forgotten or forgiven Sam for sticking his nose where it didn't belong. On paper, Kavinsky would argue the rest of his brood determined Sam's continued importance. In what little privacy he has left, Kavinsky just did what he always does: whatever he wants.]
No, that's stupid. Don't think of it like that. I find what I want in the dream and take it out with me. It's like going to someone else's house but all your shit is there and the security system's not worth a dime.
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It hadn't escaped his notice that Kavinsky'd wanted nothing to do with him for a bit, but Sam's pretty damn sure that the reason he pissed the kid off so much is because he'd gotten Kavinsky's number, because he'd called him on it.
But that's not what he's here for now. Sam's got no intention of pushing every time he sees him, and for now he just leans back. ]
Like I said, pretty awesome. Have you always been able to do that?
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The answer, in that case, is:]
Not always.
[But that doesn't make him any less powerful than Sam's wildest assumptions. It doesn't have to be his dream for him to ravish it.]
I'm not keeping it on the down-low, but I don't need everyone asking me for stuff.
[It's not a secret, but if Sam could refrain from talking it up, Kavinsky's appreciation would be notable.]
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( What are you doing? )
[ She could use her voice, but this seems more appropriate somehow. Maybe that's a sign that she's been here too long. ]
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( What you aren't. Come on up. )
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[ Pidge grumbles and then starts to climb on up. It takes her a moment (she's short) and she has to find handholds and footholds. After a few moments she's settled in next to him, giving him a curious look. ]
( You're sort of... buzzing. )
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He's tamed himself enough to not start off bad at the gate.
Later. Later.]
Bzz bzz.
[The sound wouldn't come across so well over the mental link.]
( Wanna try it? )
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( Uh, what exactly is it? )
[ She's not sure about this. But... ]
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[It's something new. He dips his fingers into his pocket, wiggling around until he catches the edge of the baggy. Out it comes, and inside's a powder-- blue, to differentiate it from the more common white. Based on a little something he'd come across the last time the station docked, but modified for easier intake.
He's an artist.]
( C'mon. Hand out, palm down. )
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( Uh, what's it do? Is this dangerous? )
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No, like that.]
( As a tea party. I'm gonna give you just a bump. )
[The ziplock is open. He uses one corner of its floppy mouth to draw a very small line on the girl's hand. For convenience's sake, he'll send along the mental link an image of how she should take it. Plug one nostril, snort with the other.]
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