joseph KAVINSKY (
100mitsubishis) wrote in
station722017-02-28 05:47 pm
you wanted someone to hurt you [open]
CHARACTERS: Kavinsky & anyone
WHERE: The Station; Circle Gardens
WHEN: DAY :010.
SUMMARY: Elsewhere, the station turns. Here, Kavinsky gets high.
WARNINGS: Drugs. So many drugs. May update if things get... worse.
[The Circle Gardens are as close as Kavinsky can get to a clearing in a forest, so he's found himself a spot of empty grass to sit on during another day on the good ol' station. It hasn't been that long since he was stripped from planet Earth, but he spent so much of the last few years in a drug haze that all of it-- this moment, and the ones preceding it-- could reasonably be a dream. From dust mote to whistling breeze that isn't a breeze, it's him, whistling. All you have to do is pucker your lips and blow and know exactly where to put your tongue.
Speaking of his tongue, it's tingling. There was a tab on it not long ago. A small strip of an acid hybrid of his favorite make, namely his own. Colors mash together, sometimes into violent neons that have no place amongst the greenery.
He's on a high tier of the garden. He's on a high tier of another variety. And he remembers back when someone kindly shared their moonshine with him.
There's that pied piper voice, temptation on a stick.]
( Wanna come over? )
[A mental call with no set destination. It zigzags, pingpongs, hits then bounces and keeps on coming. Anyone could come and visit with him. He has a little bit of everything (with all his free time, he's been sleeping, creating, God-like).
Forever ago, on a balcony, a witch told him not to fuck around with this stuff so much. He'd affect all of them.
The problem with that warning is it didn't do a thing to turn Kavinsky's path.]
WHERE: The Station; Circle Gardens
WHEN: DAY :010.
SUMMARY: Elsewhere, the station turns. Here, Kavinsky gets high.
WARNINGS: Drugs. So many drugs. May update if things get... worse.
[The Circle Gardens are as close as Kavinsky can get to a clearing in a forest, so he's found himself a spot of empty grass to sit on during another day on the good ol' station. It hasn't been that long since he was stripped from planet Earth, but he spent so much of the last few years in a drug haze that all of it-- this moment, and the ones preceding it-- could reasonably be a dream. From dust mote to whistling breeze that isn't a breeze, it's him, whistling. All you have to do is pucker your lips and blow and know exactly where to put your tongue.
Speaking of his tongue, it's tingling. There was a tab on it not long ago. A small strip of an acid hybrid of his favorite make, namely his own. Colors mash together, sometimes into violent neons that have no place amongst the greenery.
He's on a high tier of the garden. He's on a high tier of another variety. And he remembers back when someone kindly shared their moonshine with him.
There's that pied piper voice, temptation on a stick.]
( Wanna come over? )
[A mental call with no set destination. It zigzags, pingpongs, hits then bounces and keeps on coming. Anyone could come and visit with him. He has a little bit of everything (with all his free time, he's been sleeping, creating, God-like).
Forever ago, on a balcony, a witch told him not to fuck around with this stuff so much. He'd affect all of them.
The problem with that warning is it didn't do a thing to turn Kavinsky's path.]

no subject
Do you like to snort or swallow?
[There's a lascivious edge to swallow that has never and will never be appropriate. His mouth likes to wallow in the word. The way his lips part around the wa part is too smooth; he's said this before so many times.]
no subject
I don't know how to snort.
[ Just to keep from having to pronounce the fateful word now. But to present her with a source of fear is to watch her up the ante and raise the stakes. She lets go of the ledge to offer an open palm his way, speaking in English for a change and mimicking him as closely as she can: ]
Give me something to swallow.
no subject
Anyway. He has plenty of what she requested.]
Close your eyes.
[But there's a block there. His own interests and also his growing, dangerous esteem for Misato herself. He's never had a parent he could depend on the way he was supposed to, and he isn't about to use her as a substitute, but there is a tentative trust he's been fostering.
The pill he puts on her hand is firetruck red like it should cure headaches and-- to be fair-- it does.]
no subject
It's probably funny in some cynical cosmic joke sort of way that for all her years and the airs she put on, Misato has only ever slept with one man. One. Her supposed promiscuity is a lie. Her party-loving, adventurous side a mere persona to cover the tight leash she keeps around her own neck and no matter how she much she tries to tell herself that a little pill on the palm of her hand can't be more frightening than facing down a metaphysical wonder the size of a building, the worry still bleeds through the link.
She swallows it with a gulp, like medicine. ]
How long does it take to work?
no subject
Dry.
[A warm comment, he's impressed she didn't ask him to catnap her up a glass of water. The pill wasn't large, but not everyone takes their vitamins without the accompanying cup of OJ. His eyelids droop. His smirk is a slanting line, one corner of his mouth tucked in.]
Three, two, and one. Happy New Year.
no subject
Damn.
[ Damn, she feels good, but it won't last. It's not real. She has to remind herself this in case she becomes used to it, and the comedown might ruin her, so she reaches over for his hand to hold, closing her eyes when she relishes the very act of breathing. ]
They're going to find us, you know. Here, happier than we ever deserved to be.
no subject
[The dreamer asks, eyes glazed and feverish. His pupils are so wide it's like watching twin eclipses battle it out to cover up any hint of iris. The left is always beating the right by a hair, though the light touches them both the same.
It's a question that could be used to coax or comfort. To find out who hurt you and promise to do wrong by them. Kavinsky isn't that young man who's going to promise to protect the people he's grown attached to. That would be one more lie on the usual trash heap.
So it's one of those rare, innocent inquiries. Naive, maybe, because it doesn't always take someone being that blunt with it. No one ever told Kavinsky he didn't deserve to be happy and yet it's less real joy he feels than spikes of adrenaline that convince him this is what happiness must be. Perhaps it isn't like that for everyone, though, and there is a cleaner, softer version. One that can be felt in the hazy mornings when their heads haven't left their pillows or after watching a particularly good arthouse film. The closest Kavinsky has to that sensation is what he's experiencing right now. The high. His heartbeat slowed by substances that aren't foreign to his body, because it was his mind that made them up.
He would kill for a package of Oreos or even off-brand sandwich cookies. He is half-tempted to fall asleep during Misato's response and bring them back a couple containers' worth.]
no subject
[ There's no rebuke behind her words. She isn't saying, you've misunderstood but rather, I don't know what to say to make you understand what I mean to say. The link between their minds is a cheat. Misato deserves happiness, she knows this, has told herself time and again and heard it from the lips of others too, but there are as many kinds of happiness as there are kinds of love. See, she's looking for happiness like everyone else, not knowing which is the kind she needs and which is the one she's actually walking toward.
Like this, she feels as if she might float away, untethered. It takes a conscious uncoupling from the self to let go of control and allow herself to feel it all. It's like falling through the sky, knowing the ground is coming up fast but being unable to prompt oneself to feel anything but levity, an overwhelming sense of contentment. A tiny voice in the back of her head is still yelling hold on.
She breathes in and lies back on the floor, feet still dangling over the edge. ]
Kavinsky, ever heard of self-sabotage?
... i'm sorry Kavinsky is shitty
What? Like kamekazi shit? You're Japanese, right? Thinking about seppuku?
[He slices his hand through the air in front of his own throat. Then he laughs.]
shit meets shit tbh
--No.
[ Misato sits up, coolly pushing his leg off of hers as if it were a stray leaf from one of the hanging boughs, but her gaze on him is hard. She's all judgment and barely restrained fury. A lesser woman might be in tears under the weight of the anger and sadness that hide behind her eyes, the red pill having opened the floodgates in her mind. ]
Hypothermia makes you run away from company, from anyone who might help you. People go out into the cold, they strip, and keep walking, naked. As they're dying, they burrow into the snow. It's stupid, isn't it? It's so stupid.
no subject
His leg is shoved away and he doesn't try to undo her work. If she isn't up to a cuddle, it's not like he's aching for it. Plus, she's bleeding--her mind, anyway--and it's hard to stay touchy-feely with all that weight place on him.]
Okay.
[Because he doesn't quite get it.]
What?
no subject
It's just-- you wonder if that's what you're doing, and you don't see it.
[ She sighs, retreating to cover her face with her hand because she's embarrassed by the words tumbling out of her mouth and the rest of the words threatening to spill out. It's a pattern, telling that lowering her inhibitions means prompting her to admit weakness. ]
Nevermind. I shouldn't have taken that pill.
[ Remorse. How rare. ]
no subject
His leg was dislodged, so he doesn't touch her with that again. His hand on her arm, dragging her palm away from her face.]
The pill isn't the problem. It's you. You want control again and you're fighting all the way upstream. Slow down, baby, slow down and cool it. It's just you and me.
[He shouldn't have said that. There's a flair up of Kavinsky's reservations, his hurt, his own unsavory emotions. But he smooths out the wrinkles before Misato will have the time to touch them.]
no subject
When he pulls aside her hand, she reaches out, further, to place her palm against the side of his face. Her expression is so severe. ]
Why do you take the pills? To float downstream?
no subject
Kavinsky used to throw bi-weekly Substance Parties. He used to gather up crowds of people, set 'em up, bowl 'em down.
He turns his face in toward Misato's palm and licks it. The whole flat of his tongue resting at the heel of her palm and then lifting up to the base of her fingers. Wet and deliriously warm. The pill he's on has a way of making one's internal temperature skyrocket.]
no subject
Shocked, she shoves a palm against his chest to push him down and away, wresting her other hand free of his grip as she stumbles to her feet. The world tips on its side, the borders of things righting itself before the colors follow, and there's something nauseating in the pit of her chest, that grows and grows the deeper she inhales, ragged. From here, up here, she can look down on him made small, made less threatening, and still the next breath she takes nearly makes her vomit, so her words must be said through gritted teeth. ]
Enough of this.
no subject
Get going, Misa. You don't want to get eaten.
[He snaps his teeth with an audible click before he finally rolls over onto his side and looks out over the ledge they sat on.]
You taste like shit anyway.
[Listless and quiet, he settles down, down, downstream. Flows along in a way that even his broodmates can't replicate.]
no subject
Now, it's still her who feels hurt, the keen ache traveling through the link too easily. Like a chill down one's throat, a need to make it stop. She clenches her fist, feeling her nails against her palm to distract her from the nausea. It all tastes like shit. ]
I only came here to tell you not to fall.
[ A half lie makes a lie. She came here to learn how to take the jump and be alright with falling. Kavinsky is flowing down, out and away, and Misato is holding on fiercely to the banks, too afraid to let go. She's going, one step back, a stumble, then off, down the steps and out of the garden. ]