Asuka Langley Soryu (
redheadcarrier) wrote in
station722017-06-08 02:39 pm
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CHARACTERS: Asuka Langley Soryu and you.
WHERE: The Station
WHEN: Day: 048
SUMMARY: Asuka hasn't had a good time emotionally; she tries to distract herself by overworking.
WARNINGS: Potential mention of suicide, suicidal ideation, death.
[ Her conversations with Misato didn't go anywhere. Or at least they didn't go anywhere that would help Asuka resolve the teeming mass of uncomfortable hollowness that permeates her. Every last bit of her old self-worth feels as if it's been ground out of her, squeezed by her death, by Third Impact, and now by Misato, until she's been left flailing and trying to grasp onto something - anything - that will let her keep her head above water. She has a new purpose now, so at least there's that. There are new people around her. Some of them are even decent, but she tries not to let on that she likes some of them.
Of course, with Adra and Lavellan, it's almost impossible for her to keep that way. They're a constant presence at the back of her mind. Warm light and a familiar feeling of frustration and loss, respectively. The feelings she associates with them now and the emotions that creep in when she tries to pay attention to their buzzing, humming presence. She's adapted, too. She's found that she can tune out the voices if she wants, but that simply letting them fade into the background of her head is almost easier.
Asuka's not sure how she feels about that.
There's nothing for her to do yet and she feels antsy and on edge and if she sits too long, her mind is going to start crawling down into dark places and it'll take her with it. So she moves. She decides to train, because she's here to fight a war and if she has to fight, she's going to be ready. They have a gym and she's using it now, going through a routine. Running, acrobatics, exercises, and a barrage of punches and kicks that are aimed at the punching bag there. Her form is a bit sloppy, but there's real muscle memory to it - like a fighter who coming back after an injury. It's also a bit strange to see a five-foot nothing teenager going after said punching bag with the viciousness of a cornered animal, teeth gritted, breath hissing between her teeth, anger and frustration rolling out of her with every blow until she leaves herself panting and out of breath, still glaring at the punching bag as if it somehow personally offended her.
She spits out a few choice curse-words in German, but she welcomes the feeling of physical exhaustion that washes over her and radiates out through the hive link. Better than the alternative. ]
[OOC: Will potentially ad more prompts later; if you'd like to hit her somewhere else, just wildcard it. ]
WHERE: The Station
WHEN: Day: 048
SUMMARY: Asuka hasn't had a good time emotionally; she tries to distract herself by overworking.
WARNINGS: Potential mention of suicide, suicidal ideation, death.
[ Her conversations with Misato didn't go anywhere. Or at least they didn't go anywhere that would help Asuka resolve the teeming mass of uncomfortable hollowness that permeates her. Every last bit of her old self-worth feels as if it's been ground out of her, squeezed by her death, by Third Impact, and now by Misato, until she's been left flailing and trying to grasp onto something - anything - that will let her keep her head above water. She has a new purpose now, so at least there's that. There are new people around her. Some of them are even decent, but she tries not to let on that she likes some of them.
Of course, with Adra and Lavellan, it's almost impossible for her to keep that way. They're a constant presence at the back of her mind. Warm light and a familiar feeling of frustration and loss, respectively. The feelings she associates with them now and the emotions that creep in when she tries to pay attention to their buzzing, humming presence. She's adapted, too. She's found that she can tune out the voices if she wants, but that simply letting them fade into the background of her head is almost easier.
Asuka's not sure how she feels about that.
There's nothing for her to do yet and she feels antsy and on edge and if she sits too long, her mind is going to start crawling down into dark places and it'll take her with it. So she moves. She decides to train, because she's here to fight a war and if she has to fight, she's going to be ready. They have a gym and she's using it now, going through a routine. Running, acrobatics, exercises, and a barrage of punches and kicks that are aimed at the punching bag there. Her form is a bit sloppy, but there's real muscle memory to it - like a fighter who coming back after an injury. It's also a bit strange to see a five-foot nothing teenager going after said punching bag with the viciousness of a cornered animal, teeth gritted, breath hissing between her teeth, anger and frustration rolling out of her with every blow until she leaves herself panting and out of breath, still glaring at the punching bag as if it somehow personally offended her.
She spits out a few choice curse-words in German, but she welcomes the feeling of physical exhaustion that washes over her and radiates out through the hive link. Better than the alternative. ]
[OOC: Will potentially ad more prompts later; if you'd like to hit her somewhere else, just wildcard it. ]
no subject
It'd be better to turn away than to find a shape that would take him back to those days, when he was a scrawny teenager with half a brain and too much heart, just getting to know how powerful his blood was in causing harm. Too ignorant to realize how much it would cause him harm years to come.
He drifts around, just enough to be a presence, but not enough to impose. The last girl reminiscent of her attitude had no friendship to offer, yet she ended up being more trustworthy than the woman with a soft smile and softer words. There's a fucked up place in your world when you feel safer around the former than the latter. ]
You got all that strength in you?
[ He has to wonder, the suggestion of any intonation present only in his link with her. ]
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She turns to look at him, expression radiating a sort of contempt. She can't let this place lull her into a false of security. Right? People can't get too close.
Too late for that, though. She's already let Adra and Lavellan in and everything is going to start cascading from there. ]
Of course. Why wouldn't I?
[ She spits the words as if she's daring him to make a comment about her height or her age or her gender. ]
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So there's that strange, surreal kind of concern. The sense that, if he was so determined to never intervene when he lived in those dark alleys, he needs to do something about it here. It actually affects him this time around: they're real people because they're in his head as much as they're standing before him. ]
Because it's easier to fall for your own bullshit than others'.
[ To believe any of this redundant explosiveness will make a difference. ]
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Who decided it was your business?
[ And now she rounds on him, hands on her hips, sweat still staining her brow. She's missing an eye - her left - covered by a simple patch. ]
I don't even know who you are!
[ But she will and she can know with a few thoughts. If both of them are willing. ]
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I don't know who you are, either.
[ But they do: he's Hyperion, the name is dragging across his thoughts. It's always there and will be for as long as he remains untrained, without a shield. ]
Hyperion. That's my name.
[ As for the rest... he's about as willing to share as she is. ]
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holy moly html cannoli
html is my sworn enemy
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Even now she maintains a firm grip on her mind, hoping to remain unnoticed for a few minutes longer to evaluate the girl's performance. Restraint is the only thing missing. ]
Asuka. Come over here for a moment.
[ She digs through the pile of equipment to come up with two cylindrical objects made of something resembling foam. The material has a bit of give, which should do. ]
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Why?
[ That doesn't stop her from trailing over, arms folded over her chest as it rises and falls with her breath. ]
What do you want?
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She holds up the two tubes to show her, sidestepping to the edge of the room to take her seat on the floor, crossing her legs and tapping the space in front of her. ]
Lie down. I'll help you loosen your muscles so you can go even harder later.
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Why is she following? ]
You don't have to smile, you know. I know you're pretending.
[ Cut the crap, Misato.
She still sits down and then, after a moment, stretches herself out, chin resting on her forearms. ]
If you don't care, don't pretend that you do. What do you want this time?
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He floats in, drawn by the beacon of her limb-dragging fatigue. This weakness is familiar to him; he feels it keenly and easily, and after much less exertion than the flurry of violence she just unleashed. ]
Feel any better?
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Yes.
[ No. But she's not sure what would make her feel better anymore. She has a new purpose and a new mission, but she doesn't find satisfaction in any of it. ]
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Are you in any pain?
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[ She folds her arms and glances away. He's looking at her with... warmth. Concern. She can feel it and she doesn't know how to cope. A part of her wants that. The caring acceptance, the concern for her well-being. Another wants to push him away, because she shouldn't need him, shouldn't need any of this. ]
It's just training. You don't have to worry about me!
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He heads into the training hall after a run, body loose and warm from the exertion and ready to get into the more practical aspects of his training.
Of course, he reconsiders when he spots a very familiar punching bag death look, even if the one giving it is only vaguely familiar. It's always the punching bags that get the short end of the stick when people feel the need to work out some unpleasant emotions through physical exertion, it seems.
His mind is closed off, like he always does with new people, but it doesn't take a mental connection to realize she's not doing all that great. ]
That's a hell of a lot of dedication.
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[ Asuka tears her gaze away from the bag to glance at the newcomer. Someone she hasn't met before, which is sort of a surprise. The crew isn't that large. Right? She shakes her limbs out and tries to dismiss the muscle ache, the rubber-limbed feeling of fatigue that keeps creeping up on her. ]
It's called 'training'.
[ Although he looks vaguely military. Like some of the people from NERV. He's also closed down, where she... isn't. Not to the same extent. She's loud, broadcasting so the whole room can feel the frustration and slow burning anger that radiates off of her. ]
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He quirks a little grin at her response, though, raising an eyebrow. ]
That what they're calling it these days? Here I always called it beating the shit out of something cause I couldn't do it to what I was really pissed at.
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She wants to reach out and wipe it off of his face. Maybe she should hit him. ]
Maybe your training just wasn't any good. Or you weren't any good at it. Probably both, since you're down here trying to chat up a fourteen-year old.
[ See what needles. See what gets under his skin. ]
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Hackfresse ist besser, nach dem, was du damit machst.
[She indicates the bag with one hand, still wrapped from her own exertions. It's not like she's torn it or anything, but it's visibly dented, in a few places.]
You look like you're ready to take a minute. Can I talk?
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Sure. Talk.
[ No guarantee she'll listen. ]
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Misato seems to think you need some kind of training. I told her you seemed fine to me, but seeing as she's...
[Shepard indicates a vague area of air around her head, because, more than just being in each other's heads, Misato might just be crazy. Shepard's certainly implying that she thinks so, in the roll of her eyes.]
Look, I'm tired of hearing about it, and she's not going to shut up. So, how about we cut a deal: you cover for me about her bullshit strength training, and I'll make sure you learn something useful for the purpose of making her real damn sorry she asked.
[Her tone is clear, intention unasked for but just as obvious: Misato is a busybody, and Shepard's pleased to make sure she suffers for it.]
... Or, maybe you'd rather finish off this bag. If that's what you really want to do with your time.
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Typical.
But at least Shepard doesn't seem all that friendly with her. So why is she doing this? Asuka's suspicious and her eyes narrow. What does she do with this? Does she even want to reach out again, only to be dropped by another adult who has what they want? ]
...that depends on what you have to actually teach. What do you think I actually need?
[ She sounds a touch contemptuous, but she knows she needs to adapt. No Eva units here. ]
Why'd she ask you, anyway?
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wildcardin' it.
There's no immediate, verbal question, just the impression of curiosity and an unspoken: are you alright?</i? It rises like fog between them. If she wants to pull away from him, he's making it easier for her. ]
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Why are you asking?
She's immediately suspicious. She's been burned too many times. ]
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[ At times, the Nest feels like a spider's web. A tug on one end vibrates through the entire collective, disturbs everyone. Bellamy isn't all that good at ignoring it, but he usually makes a better effort at trying. ]
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[ She's been burned before. Adults have promised her things and then failed her. Her peers have failed her. She's had to face so much of the world alone that she's almost instantly suspicious of anyone offering her any sort of help. ]
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